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A Game for Heroes

Using the names 比较好的付费ssr节点, Martin Fallon, and Hugh Marlowe, Henry Patterson had a successful, early literary career throughout the 1960s and early 1970s with a high-adventure template utilized by Alistair MacLean, Desmond Bagley and Hammond Innes. Five-years prior to Patterson becoming a household name with The Eagle Has Landed (as Jack Higgins, 1975), he used the name James Graham to write a traditional WW2 adventure novel called A Game for Heroes (1970). It was published as a hardcover in 1970 by Macmillan and reprinted countless times over by the likes of Dell, Harper Collins and Penguin. It remains in print today in both physical and digital versions.

The novel stars Owen Morgan, a British special forces expert who served valiantly in the heart of WWII. After losing an eye, Morgan was shipped back home at the tail end of the war. After finding love and harmony, Morgan is asked to rejoin British forces for a daring mission on St. Pierre, a fictional island in the German-occupied British Channel. After fighting as a spy in harrowing, bloody campaigns, Morgan is skeptical of leading a mission that takes him back into battle. First, it's 1945 and the Russians are knocking on Hitler's door in Berlin signaling that the war is nearly over. Second, Morgan feels as if his reflexes and physical limitations will impact his success. However, the wild card is a former lover named Simone.

Morgan grew up on St. Pierre and his father was an excellent sailor who died attempting to rescue boaters during a stormy, high-seas operation. His love was Simone, daughter of the island's leader. After learning that Simone is one of 60 islanders remaining, Morgan hopes to visit Simone one final time. If successful, this military operation will allow Morgan to penetrate the island's fortifications and learn more about the Germans' underwater positioning and a unique project called “Operation Nigger” (specifically named after the British black labrador). While Morgan will face the opposition alone, he will work with a specialized international team of demolition experts to create diversions by blowing up smaller sea-craft.

Like a lot of Higgins novels, the opening chapter is the middle of the story. In it, we learn that Morgan has been captured by the Germans and is awaiting execution along with a portion of the demolition squad. As Morgan contemplates his future, he tells the story of how he came into the operation and the events that eventually led to his capture. While this is traditional Higgins' storytelling (in first person perspective), the story condenses into a rather surprising narrative. Despite the book's cover, A Game for Heroes is more of a nautical tale that has Morgan reflecting on his father's naval exploits as well as his own. There's a savage, climactic sea rescue but I would be a fool to spoil it for you here. The book's narrative ultimately leads to a wind-swept, stormy finale, but the lead-up is worth the wait.

A Game for Heroes is set in an interesting era of World War II history. It's the end, the final theater, the 1945 closing of one of Earth's most important events. Higgins presents readers with a really interesting scenario – what happens to old soldiers at the end of the journey? With guns pointing at each other, what does the end look like for combatants? There's an amazing scene where the BBC radio announces Hitler has been killed to dozens of German soldiers and their British prisoners. But without any real guidance, how do the two warring factions interact? This is Higgins masterful prose, a reading experience that delivers adventure, calculated risk and lost love but isn't afraid to ask some important questions. For this reason alone, A Game for Heroes is a game worth playing. Under any name, Higgins is extraordinary.

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比较好的付费ssr节点, a pseudonym of Evan Hunter, found the pinnacle of his literary success in his 购买ssr节点服务 series of police procedural mysteries. The fictionalized version of NYC, the chatty omniscient narrator, and the ensemble cast of worldly-wise police detectives are all ingredients that make the series a lot of fun to read. I’ve been enjoying the thinner early novels in random order, so today we join the series with the eigth installment, 1958’s Lady Killer.

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Detective Cotton Hawes takes the wheel as lead investigator of the death threat. Hawes is a hard-nosed interrogator who really leans into every interview like he’s shooting for a one-punch knockout. Series mainstay Steve Carella plays second fiddle in the case. Steve is the best detective in the 87th, and a recurring hero in the series. He’s also the smartest mind in the 87th, and his scenes tend to be the best. Watching Cotton and Steve evolve as new friends and partners was a joy to read.

The mystery itself is really two-pronged as the detectives need to identify both the would-be murderer and his intended victim. There are some great action sequences as the cat and mouse game intensifies and bullets start to fly.

To date, Lady Killer is my favorite of the 87th Precinct novels. McBain tightened up his storytelling and let the cast of detectives focus on one important case. There are no significant subplots or a b-story crime to solve, and the final solution was logical, plausible, and satisfying. This one’s a total winner.

Note:

Newer editions of Lady Killer contain an insightful introduction by the author explaining how the novel came to be. The paperback was written over nine days during the summer of 1957 at a rate of 20 pages per day. 

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Motor City Blue

Loren D. Estleman (b. 1952) is a Detroit native and award-winning author. Cutting his teeth on westerns, Estleman has written over 25-westerns including a series starring U.S. Deputy Marshal Page Murdock. In the mid-80s, the author launched a series of high-octane action novels about a mob hit-man named Peter Macklin. However, Estleman's most praised literary work is his Amos Walker mystery series. The character was first introduced in 1980's Motor City Blue and has remained a highly-regarded character through 28-books. Unfamiliar with Walker, I started at the beginning.

Motor City Blue introduces readers to Amos Walker, a three-year veteran of the Vietnam War who experienced intense action in and around Cambodia. After Vietnam, Estleman became an MP and then later joined a Detroit police academy as a civilian. After being fondled in the shower by another trainee, Walker defensively beat-up the man and was booted from the academy. His next career choice was simply a private-eye gig which he does well. In the series debut, Walker is 32-years old and will age as the series progresses.

The novel's opening pages finds Walker working an assignment for an insurance company. Armed with a camera and a Smith & Wesson, Walker is photographing a man who may be faking an injury for claim money. But while working the assignment, Walker witnesses his old Army Captain being thrust into the backseat of a sedan by two burly men. Walker calls his best friend, Police Lieutenant John Alderdyce, to report the incident. It's an early, key event that plays a large role in the story's finale.

Later, Walker is summoned to meet a former mob boss named Ben Morningstar. The elderly retired gangster hires Walker to track down and locate a young woman named Marla. Morningstar raised Marla and had been financing her college expenses only to learn that she abruptly dropped out. Since then, she's seemingly disappeared and Morningstar doesn't trust the police to search for her. Morningstar shows Walker a photo of Marla that indicates that she has entered the sleazy world of pornography – either voluntarily or against her will. It's up to Walker to find Marla and determine just how she finds herself working in the smut industry.

购买ssr节点服务 is an enthralling mystery that features many of the private-eye tropes that have been utilized since the 1940s. Estleman isn't reinventing the genre and never proclaimed to be. He's just presenting readers the traditional PI formula, a procedural investigation done by a valid, sarcastic hero who uses a police friend and ally for tips and tricks. Estleman's placement of the entire series in Detroit is fitting considering the author's scholarly knowledge of the city and its history. Using the cold, blue-collar city streets, Estleman has a wide canvas on which to draw. In ssr节点购买, the author submerges readers into the porn industry, complete with smut shops, adult theaters, sleazy trailers and the criminal elements often found on that side of the tracks.

Amos Walker may be the best of the 1980s private-eye characters. As an early introduction to the character (and author), readers unfamiliar with the series should start here. With a spiraling mystery, action fans should still appreciate the gun-play and fisticuffs employed by the hero. It's an absorbing read that has gained acclaim for good reason.

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Paperback Warrior Unmasking - Philip Race

In the Cutting Edge Books reprint of the 1959 paperback Killer Take All, readers learn that author Elmer Merle Parsons (1926-1970) was as untamed as the criminals he fictionally fabricated. Born in Pittsburgh, Parsons was first convicted of burglary and grand theft auto at the age of 23. After serving three years in prison, Parsons began passing stolen checks. His freedom was short-lived, and Parsons was sentenced to San Quentin Prison for five years. While inside, Parsons discovered a dexterous ability to write, becoming the editor of the prison newspaper and crafting his first novel, ssr节点吧 (1958), which he sold to Fawcett Gold Medal for $3,500 under the pseudonym Philip Race.


While in prison, Parsons authored two novels starring a craps dealer named Johnny Berlin – 1959's Killer Take All and 1960's Johnny Come Deadly (published by Hillman Books). Both were published under the pseudonym Philip Race. Using the name E.M. Parsons, the author wrote a suspenseful romance novel called Dark of Summer (1961) as well as three western originals – ssr节点更新 (1970), Fargo (1968) and ssr节点购买网址 (1959). Later, the talented writer went to work for Hollywood, writing scripts for a number of television shows like Bonanza, The Dakotas, The Virginian and ssr节点更新. I've always enjoyed the proverbial “small town drifter” story, so the synopsis of Killer Take All peaked my interest.

Review: Killer Take All

Johnny Berlin flees the bright lights of Las Vegas due to a love gone bad. When readers first meet Berlin, he's driving a fog-shrouded highway in rural Oregon in an effort to start a new life in Portland. After becoming lost on the midnight highway, Berlin is aided by a man named Donetti who directs him to spend the night in a small town called McKaneville. Surprisingly, when Berlin rolls into the tiny hamlet, he discovers it's a booming lakeside village ripe with gambling clubs.

Parsons' novel puts Berlin back behind the craps table for a struggling club owner named Dan Gurion. After meeting an old flame, Berlin agrees to assist Gurion in an effort to rekindle the business and keep his new boss from being forced to join a pushy racket called the Gambler's Protective Association. With the mob running a number of gambling halls throughout the area, Gurion is one of the last few holdouts to join the association. Partnering with Berlin, Gurion goes against the grain to defy the odds and beat the rackets. But, when Berlin is nearly murdered and the premier head of the Protective Association is killed, things aren't quite as black and white as readers might think.

The first thing to know about Parsons' writing style is that he introduces over a dozen characters in the narrative's opening half. It's a large cast to contend with, a habit that threw me off of the author's similar novel, Dark of Summer. Both paperbacks feature lakeside communities that are mired in business transactions, lover quarrels and a penchant for violence. Dark of Summer was a dense romantic fling whereas Killer Take All is more of a violent crime-noir complete with painted ladies and jaded faces.

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Parsons wasn’t a remarkable writer as his saturation of characters can, at times, make for a burdensome read. However, he's a solid writer with a knack for great stories. With just a handful of published novels in his career, ssr节点购买网址's affordability as a used paperback and digital reprint is well worth the price of admission. You won't be disappointed.

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Paperback Warrior Podcast - Episode 54

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On Episode 54 of the Paperback Warrior Podcast, we unmask author Philip Race and tell you about the mystery man behind the pseudonym. We also review novels by E.M. Parsons and Tedd Thomey plus a used bookstore excursion to Appalachia. Listen on your favorite podcast app or at paperbackwarrior.com. Download directly HERE. Listen to "Episode 54: Philip Race" on Spreaker.

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Jim Thompson (1906-1977) authored over thirty novels from the 1940s through the 1950s. Considered a legendary hardboiled crime writer, his most notable works often employ an abstract style of storytelling. His violent, often disturbing novels are typically devoid of any admirable, noble protagonists for readers to support or cheer. Instead, crime-fiction traditionalism is replaced with characters that typically range from the vile deviant to the casual wrongdoer. Nothing underscores these tropes more than The Kill-Off, Thompson's 1957 Lion Books release. The novel was adapted into film in 1990 and reprinted by Black Lizard in 1999.

The book takes place in the fictitious town of Manduwoc, a small coastal village in Northeastern New York. Due to economic hardship, this community has been downgraded from lavish resort community to a washed-up skeleton of despair and neglect. Thompson uses individual characters to tell their stories in alternating first-person narrations. The overall concept is a murder mystery slowly disclosing to the reader who killed an older woman named Luane Devore.

The robust cast of characters includes Luane's younger husband, the local doctor, the doctor's son and a real-estate contractor among others. Each chapter's account is a testimony to the shifting narrator's weakness, complete with shady histories, corruptible events, financial disruptions and, of course, sex. Hot, wild, untamed, interracial sex. But considering the number of historical accounts of these characters and their arms-length relationship with Luane, none of it is particularly interesting.

购买ssr节点服务 is a slowly-developing story, and not particularly engaging. The presentation is unique, but the overall plot development was unexciting - robbing the reader of anything resembling a pleasurable experience. If you are a regular blog reader or podcast listener, you know that Jim Thompson isn't a Paperback Warrior favorite. The consensus here is that he’s overrated and saddles his novels with plodding and often senseless narratives. There’s nothing about The Kill-Off to change our minds.

Admittedly, Thompson is a good writer with a penchant for unusual characters. However, The Kill-Off showcases inept storytelling populated by uninteresting and unlikable characters. Even in death, Thompson has a rabid bunch of fans who come to his aid every time Paperback Warrior pans another one of his overrated, overwritten novels. I can’t help but wonder how they will defend trash like The Kill Off. The hate mail we’ll receive will certainly be more compelling than the solution to the book’s central murder. For the uninitiated, don’t bother.

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ssr节点更新

Paperback Warrior recently covered Louis L'Amour's quartet of books focusing on the early days of the fictional Sackett family. The first two of these books, Sackett's Land and 比较好的付费ssr节点, focused on Barnabas Sackett and his journey from Europe to America circa 1599-1620.  ssr节点更新 featured Barnabas' sons Kin-Ring and Yance in the 1630s. The last of the four books took readers to America's far west with Barnabas' wayward son 酸酸乳ssr节点 during the 1630s. Prior to L'Amour's passing in 1988, the author had hoped to tell more of these early origin stories, possibly bridging the gap between the 1600s and more dominant 1800s, where most of the Sackett series takes place.

Chronologically, the next installment in the Sackett series is Ride the River, originally published in 1983. While L'Amour's hopes of telling more of the Sacketts' origins never came to fruition, this novel is one of the only bridges in the series. The main character is Echo Sackett, a 16-year old young woman who becomes the aunt to three of L'Amour's most popular Sackett characters – Tell, Orrin and Tyrel. Echo is a fourth-generation Sackett living on the family's Tennessee home in 1840. After receiving a written notice of an inheritance, the book follows Echo's journey into Philadelphia and a subsequent frenzied trip back home.

L'Amour's novel is fairly basic in plotting and presentation. It’s a classic fish out of water story – the farm girl experiencing the hustle and bustle of city life. After a recent discovery of gold, a will proclaims that Barnabas has left the small fortune to his next of kin. This will is read and delivered to Echo by a shady attorney and his bully henchmen. On the precipice of being robbed of her inheritance, an aging attorney named Finian Chantry comes to Echo's aid. After assessing the situation and providing legal support, Echo gains the family funds and sets off for home. But, knowing that the wrongdoers and criminal cohorts will follow Echo, Finian sends his nephew Dorian to accompany Echo on the return trip.

Many readers may recognize the Chantry name. Like the Talons and Sacketts, Chantry was another family that L'Amour often covered with the first Chantry novel being Fair Blows the Wind taking place circa 1590. Combining an aging Chantry with a young Sackett was clever, including the small piece of action dedicated to Chantry's impressive fencing skills in a dockside skirmish. There are also a few other Sackett characters that make brief cameos throughout the narrative.

The end result makes Ride the River an adventurous road trip that combines country roads and urban streets with a coming of age story-line. While the quality falls well below L'Amour's stellar western storytelling, I found it to be a serviceable read that offered a unique female viewpoint.

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Sam Dakkers #02 - The Guilty Bystander

Michael Brett (1921-2000) was the author of the ten-book Pete McGrath detective series in the 1960s and a regular contributor to Alfred Hitchcock’s Mystery Magazine. It’s a little confusing because there were other mystery writers from the same era who utilized the name Michael Brett as a pseudonym, but the guy who wrote the Pete McGrath books was actually Michael Brett, the genuine article.